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Devil Incantation
by Feather

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PostPosted: Thu Aug 29, 2013 2:31 am 
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WARNING! SPOILERS.. A LOT OF SPOILERS!!!


I loved this comic. It is now my favorite of all E comics. It really shows the level of maturity of E and his storytelling skills. (I refer to E as a he, because that is my assumption. Sorry Gatolica :D ). I can’t get enough of this comic and I’m really impressed by the depth of it, so I wanted to do an in-depth analysis myself. I will go page by page. I’m not sure if I can do this for the whole comic, but here is the first part.


Page 1 (9)
I like how Erenisch quickly tells the highlights of Carol’s past and her current emotional state in a few panels right on the first page. The first panel itself tells the story of the last night. We do not see often a woman already used, beaten, cummed all over and with a dildo stuck in her ass at the beginning of such comics. They generally go towards the other direction.

Then at the last panel of the first page, we see Maggie, sleeping relaxed and happy over her master. Even though Carol is disturbed by the image, we can see the contrast between the two women. One thrown away to the side, dirty and beat, the other comfortable and content. Another marvelous trick by E.

Page 2 (10)
Wide angle and we see another contrast that sets the hierarchy and the duties of the women in the room. Carol is not the worst, Gwen is. She is suspended from the ceiling, chained and unconscious.

Carol looks at her reflection on the mirror and “reflects” on her past and present. from the front and the back. From the right and the left. All angles covered. Coincidence? I don’t think so. She tidies up and gets ready for another day. She also gives us another load of information in a couple panels.

Page 3 (11)
Carol leads us through the corridor and shows us what happens in the other room, and sets the hierarchy of the whole house now. Now the reader knows who the big man is, his past, what he likes, and how he treats women. And all that with great pace and efficiency. We also get to know Sherry and get an update on her status. All that with a decent sex scene.

Page 4-5 (12-13)
Once again a lot of information is given to the reader in a few panels. We learn more about the order in the house, get an update on how it changed over the course of the last few episodes. And the tension between Carol and Molly is established
Molly is now reduced to a simple appliance, she is the “garbage disposal unit”. She is the lowest creature in the house.

As we pity Molly, we see the bitchy and cruel side of Carol. She can be cold and scary. It is like the popular high school queen “Carolynn Masters” came back to life again.

The scene also keeps building the whole “shadow of the past” thing that is so important to the story. All these characters are the results of their personal histories and they keep reminding us of where they came from.

Page 6 (14)
Sherry barges in and makes another statement about the (new) order in the house. She is the mother hen now, even though she is a child compared to these women. Great parody of parental roles, E turns them upside down here, just like he does it with the whole morality of his universe.

Wonderful exchanges between Sherry and Carol, and then with Molly. More insights on how all these women think and feel, in just a few panels.

The last panel is particularly significant, as it foreshadows the impending doom that awaits Sherry. She will face the “fate of all women” that Carol mentions a couple pages ago.

Page 7 (15)
Carol is back in her master’s room, where she finds Maggie performing her regular duties. She is sad for her daughter but also strangely proud of her too. We saw a similar scene in BG8, where Carol admired how Maggie was so good at what she did.

The kid-parent relationship is reversed once more, with Maggie berating her mom for interrupting, and then instructing her in cocksucking. I fell in love with this scene and read it over and over. Just brilliant.

Carol, who was the high-school bitch a few minutes ago, is now confused and shy like a nerd. Maggie is the one in control here, this is her turf, it is her element.


To be continued... (?)


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PostPosted: Thu Aug 29, 2013 5:15 am 
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Fave character: Sherry & Maggie
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Wow. This is very flattering. Thanks a lot. :)


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PostPosted: Thu Aug 29, 2013 5:20 am 
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Page by page ratings? That takes it o new level :D

I agree with a lot of what is said mind you.


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PostPosted: Fri Aug 30, 2013 1:44 am 
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This is brilliant. The reflection in the mirror detail I noticed only now you mention it. It is indeed a very cool trick. If you think about it it also symbolizes the transformation Carol had. She changes her look in those two panels.


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PostPosted: Mon Sep 02, 2013 11:08 am 
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Bangerman wrote:
WARNING! SPOILERS.. A LOT OF SPOILERS!!!


I loved this comic. It is now my favorite of all E comics. It really shows the level of maturity of E and his storytelling skills. (I refer to E as a he, because that is my assumption. Sorry Gatolica :D ). I can’t get enough of this comic and I’m really impressed by the depth of it, so I wanted to do an in-depth analysis myself. I will go page by page. I’m not sure if I can do this for the whole comic, but here is the first part.


Page 1 (9)
I like how Erenisch quickly tells the highlights of Carol’s past and her current emotional state in a few panels right on the first page. The first panel itself tells the story of the last night. We do not see often a woman already used, beaten, cummed all over and with a dildo stuck in her ass at the beginning of such comics. They generally go towards the other direction.

Then at the last panel of the first page, we see Maggie, sleeping relaxed and happy over her master. Even though Carol is disturbed by the image, we can see the contrast between the two women. One thrown away to the side, dirty and beat, the other comfortable and content. Another marvelous trick by E.

Page 2 (10)
Wide angle and we see another contrast that sets the hierarchy and the duties of the women in the room. Carol is not the worst, Gwen is. She is suspended from the ceiling, chained and unconscious.

Carol looks at her reflection on the mirror and “reflects” on her past and present. from the front and the back. From the right and the left. All angles covered. Coincidence? I don’t think so. She tidies up and gets ready for another day. She also gives us another load of information in a couple panels.

Page 3 (11)
Carol leads us through the corridor and shows us what happens in the other room, and sets the hierarchy of the whole house now. Now the reader knows who the big man is, his past, what he likes, and how he treats women. And all that with great pace and efficiency. We also get to know Sherry and get an update on her status. All that with a decent sex scene.

Page 4-5 (12-13)
Once again a lot of information is given to the reader in a few panels. We learn more about the order in the house, get an update on how it changed over the course of the last few episodes. And the tension between Carol and Molly is established
Molly is now reduced to a simple appliance, she is the “garbage disposal unit”. She is the lowest creature in the house.

As we pity Molly, we see the bitchy and cruel side of Carol. She can be cold and scary. It is like the popular high school queen “Carolynn Masters” came back to life again.

The scene also keeps building the whole “shadow of the past” thing that is so important to the story. All these characters are the results of their personal histories and they keep reminding us of where they came from.

Page 6 (14)
Sherry barges in and makes another statement about the (new) order in the house. She is the mother hen now, even though she is a child compared to these women. Great parody of parental roles, E turns them upside down here, just like he does it with the whole morality of his universe.

Wonderful exchanges between Sherry and Carol, and then with Molly. More insights on how all these women think and feel, in just a few panels.

The last panel is particularly significant, as it foreshadows the impending doom that awaits Sherry. She will face the “fate of all women” that Carol mentions a couple pages ago.

Page 7 (15)
Carol is back in her master’s room, where she finds Maggie performing her regular duties. She is sad for her daughter but also strangely proud of her too. We saw a similar scene in BG8, where Carol admired how Maggie was so good at what she did.

The kid-parent relationship is reversed once more, with Maggie berating her mom for interrupting, and then instructing her in cocksucking. I fell in love with this scene and read it over and over. Just brilliant.

Carol, who was the high-school bitch a few minutes ago, is now confused and shy like a nerd. Maggie is the one in control here, this is her turf, it is her element.


To be continued... (?)


Otherguy, want you to know that he like so much what you're doing with page by page review ;)


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PostPosted: Tue Sep 03, 2013 11:02 am 
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Joined: Wed Aug 29, 2012 5:31 am
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Fave character: Sherry, Melanie
Gender: male
Fave comic: BG8, BG11, Repurposed,Karma
thanks a lot guys and Otherguy/Felina :)

I really enjoy reviewing stuff. I do scene-by-scene reviews on movie blogs, so I says- why not for E's comics? They are much better than most movies anyway.

And now we continue...


BEWARE SPOILERS....

page 8 (16)
another awesome page with awesome dialogue. The first panel features a wonderful image of Carol, embarrassed and diminished. A couple pages ago she was threatening Molly with a knife, but now she shivers with shame. Hwy is she ashamed? Because she realizes that she was a worse cocksucker than her daughter. How can a single image can be so powerful. I love how Erenisch demonstrates these kind of complex emotions s casually with a single image.

Then comes the brilliant sequence where Maggie talks about her master's cock and how she admires it... Then she gives instructions to her mother on how to suck it properly. And she still does it so innocently and without realizing the obvious weirdness of the situation. Carol is uneasy but for Maggie, it is so natural... She is the perfect sex slave at this point.

page 9 (17)
Maggie continues to display unflinching obedience to her master... No hesitation or second guessing, she is focused on pleasing Peter. Carol still thinks that there is something wrong in this situation, but has to go with the flow.

Look how Peter's eyes are always on Maggie, and Maggie's eyes are always on Peter. They are a real couple,and Carol is there to help

page 10 (18)
Peter (or Erenisch) merges the two women into one, he rotates and turns them to fuck them in every way. Motions are so fluid and natural. Peter penetrates Maggie's vagina, then Carol's ass, then Maggie's mouth, and then her vagina again, finally ends in Carol's mouth. No awkwardness in transitions. Great choreography.

I love it when Maggie offers Peter her mother's vagina at the end of the page. Now we know why she was so eager to please. she wants Peter to fuck her mother's pussy because she wants her mother to have some pleasure. Another emotionally loaded panel casually placed. Under all these porn, there is a daughter's love for her mother. Isn't that so sweet?

page 11 (19)
Here Erenisch thinks that Maggie has done her duty of facilitating a Peter-Carol scene and he gets rid of her with the first panel. It is time for Peter and Carol have some private moments, open up to each other while Maggie is not in the room. Great scene transition again.

During a good sex scene we learn about Carol's rehab and how her body was improved at the clinic. Lots of information that prepares us for some future developments. Carol is now "younger and more sexual".. almost like she is in "high-school"... Get it?

Then the turns to something reminiscent of the classic bet in BG7. Peter tries to make Carol come with his hands... like he did in BG7 with Gwen. How many of you just remebered Gwen when this happened?

page 12 (20)
There... Erenisch made you remember about BG7 and Gwen, and made you think to yourself, "where is that fiery redhead?".

BLAM! There she is. Was that a subliminal trick? I think so. Because I thought of Gwen in the previous page and then she was right in front of me, out of the blue...... Respect!

We got an update on Gwen here... She is the only slave other than Molly who is chained... She eats out of a dog bowl and licks the bathroom floors clean... And she craves Peter's cock. Poor poor Gwennie..




to be continued...


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PostPosted: Tue Sep 03, 2013 4:42 pm 
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Fave character: Melanie
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Fave comic: BG10/BG8/SC2/Bottom
Bangerman wrote:
There... Erenisch made you remember about BG7 and Gwen, and made you think to yourself, "where is that fiery redhead?".

BLAM! There she is. Was that a subliminal trick? I think so. Because I thought of Gwen in the previous page and then she was right in front of me, out of the blue...... Respect!


YES! :shock:


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PostPosted: Mon Sep 09, 2013 8:20 am 
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Fave character: Sherry, Melanie
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Fave comic: BG8, BG11, Repurposed,Karma
Continued...

page 13 (21)

Back to Carol And Peter.... Peter decides to reward Carol with an orgasm for some reason. He is not generally this generous. I believe he does this because of his love for Maggie. Maggie almost begged him to please her mom before she left, and Peter obliges...

This act of kindness is not lost on Carol, who is now very surprised and confused, but grateful...

page 14 (22)

Peter now kind of turns into Paul, keeping the woman off balance and confused. After giving her an orgasm and complimenting her, he immediately leashes and humiliates her again. He is Paul's son all right.

Carol is an experienced woman and we know that she sees right through Paul's manipulation techniques, but Peter's tactics seem to work on her, perhaps because she was still shaken because of the orgasm she had a moment ago... Also she probably does not expect Peter to be as shrewd as his father?

At the end of the page, Peter hits her again with another shock, kissing her.

page 15 (23)

Carol is now in a very confused state. Peter is in the zone, manipulating a smart and experienced woman like a pro trainer. We see that Peter came a long way after 10 comics, he learned to use carrots more effectively than the sticks... He even manages to make his prey betray her own daughter twice. Carol, like in a light trance, chose pleasure for herself and pain for her daughter...

And remember how Maggie begged Peter to please her mom? That shows us the difference between the two women. Innocent and generous Maggie versus bitter and selfish Carol.

page 16-17 (24-25)

We turn to the poor innocent Maggie, unaware of her mother's betrayal, happily humming a song. In a rare moment of solitude, we see how privileged Maggie is. She is almost like a free girl. She walks around without binds, gets gifts, plays with video games...

But she is still naked and vulnerable, more like a baby antelope skipping around the savannah. Then enters Paul, the ravenous lion of this story, eying the juicy rump of the poor antelope.

page 25 contains one of my favorite images of this comic, the one where Sherry forgets herself for a moment and lusts after Maggie. Isn't that marvelous? I think this establishes Maggie as the one and only object of desire in the house. Everyone wants her. She is the original birthday gift, after all



to be continued...


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PostPosted: Wed Sep 11, 2013 11:41 am 
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Fave character: Sherry & Maggie
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I must say that I'm really impressed that you are doing a page by page analysis. Impressed and flattered that is. You are accurate with most of the intentional tricks of course, but you also spotted a couple unintentional ones.
For example the "visualizing Gwen" trick. It was not really meant to be a mentalist trick to make you guys remember Gwen. Actually I was the victim my own unintentional trick there. When I did the Peter-Carol scene I reminded myself of Gwen and put her in there. :lol:


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PostPosted: Fri Oct 18, 2013 4:12 pm 
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Fave character: Sherry, Melanie
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Fave comic: BG8, BG11, Repurposed,Karma
Erenisch wrote:
I must say that I'm really impressed that you are doing a page by page analysis. Impressed and flattered that is. You are accurate with most of the intentional tricks of course, but you also spotted a couple unintentional ones.
For example the "visualizing Gwen" trick. It was not really meant to be a mentalist trick to make you guys remember Gwen. Actually I was the victim my own unintentional trick there. When I did the Peter-Carol scene I reminded myself of Gwen and put her in there. :lol:

:lol: Hey you should never explain a magic trick.

Still it works for me whether it is intentional or not.


(I think I will stop my page by page analysis here, it was more difficult than I expected :P


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